Gothic architecture
Amiens cathedral, France. |
Contents |
[edit] Introduction
Gothic is an architectural style applied mainly to religious buildings in masonry in the later middle ages, starting around the middle of the 12th century and lasting until the beginning of the 15th century. Originating in the Ile-de-France area of Paris, the Gothic period generally slots between Romanesque and Renaissance periods.
The main built form of the Gothic period was the cathedral (but also the church). The Gothic cathedral is seen as a perfect synthesis of architecture and structure, so much so that it is often very difficult to separate the two. This may be due to the fact that the designers were master craftsmen, skilled both in engineering and masonry.
The massive construction and ‘blockiness’ of the Romanesque period gave way to the lightness and verticality of Gothic, with its emphasis on the straight line. Where the Romanesque cathedral had a feeling of being a stronghold, encircled by thick, massive walls, the Gothic builders (often peripatetic and unknown) tried to achieve an etherealness by dissolving the wall until it becomes almost diaphanous. The wall becomes a thin shell of stone and glass.
Large windows filled with stained glass provided a new way to filter light and affect the religious experience. Indeed, the Gothic is as much about structural prowess in masonry as it is about a new interpretation of light which was used to determine the character of the new construction. The mass of the building appears to dissolve, helped in part by the large window areas, the longitudinal plan and the vertical lines leading the eye up to the roof.
[edit] Plan form
In plan, the Gothic cathedral would have typically been that of a Latin cross although in some cases the transepts (crossings) were not that pronounced (e.g Notre Dame, b.1200). Divided into three longitudinal elements by a tall nave (where the congregation worshipped) which was flanked by side aisles to produce a tripartite division. The walls separating the nave from the aisles supported the main roof and took on a three-storied elevation comprising arcade (lowest), gallery (middle) and clerestory (upper). The nave elevation at Chartres cathedral (begun c.1194) clearly shows this division as does Rheims (begun c. 1211). In some cathedrals this was to become a four-storied elevation with the addition of a low-wall passage called the triforium, situated between the gallery and the clerestory.
The three defining features of the Gothic style are as listed below. They existed well before the period began but what was new was the way they were combined. They are:
- Ribbed vault
- Pointed arch
- Flying buttress
[edit] Ribbed vaults and pointed arches
A pointed arch can transfer forces fairly close to the vertical, so is therefore structurally more stable than the shallower semi-circular arch. The introduction of the pointed arch was a major change from the Romanesque and allowed the innovation of the ribbed vault – a diagonal support member which could be semi-circular or as close to it as possible, thus giving a profile that was not dangerously flat. This was not possible with the former semi-circular vaults of the Romanesque which by virtue of their shape over square bays would have resulted in very shallow, possibly flat (and therefore structurally dangerous) diagonal vaults. Vaults in Gothic architecture were typically rectangular bays supported by parallel, transverse and diagonal ribs.
For more information see: Vault and Arch.
[edit] Flying buttresses
Although flying buttresses had been known in Roman times, the Gothic master craftsmen made particularly good use of them. Loads from Gothic cathedral roofs were very heavy which initially required the use of thick, heavy, stone abutments. However, flying buttresses (arches located outside the building) connected to the walls allowed the thrust to be conveyed off the nave walls and diverted outside the structure through the flying buttresses and into the ground. The buttresses also contained lead channels that allowed rainwater to be conveyed away from the roof.
For more information see: Flying buttress.
In terms of quality, masonry reached a height in the 13th century that was never to be surpassed.
[edit] Other features
Other features of Gothic architecture:
- Height of the nave (43m at Amiens).
- Large windows to aid the effect of transparency.
- Stained glass windows (particularly rose windows) to filter light.
- Entrance – usually on the west, hence the west front is usually the most important elevation.
- Articulation of stone piers to give a lighter appearance and take the eye heavenwards.
- Long, narrow lancet window – 6-10 times higher than wide, popular in English Gothic.
[edit] Gothic revival
The Gothic Revival style is part of the mid-19th century picturesque and romantic movement in architecture, reflecting the public's taste for buildings inspired by medieval design.
For more information see: Gothic revival style.
[edit] Related articles on Designing Buildings
- Aesthetics and architecture.
- Antiquities.
- Apse.
- Arch.
- Architectural styles.
- Art Deco.
- Art Moderne.
- Arts and craft movement.
- Basilica.
- Bauhaus.
- Buttress.
- Carlisle cathedral.
- Classical orders.
- Classical architecture
- Concept architectural design.
- Constructivist architecture.
- Contextualism.
- Deconstructivism.
- English architectural stylistic periods.
- English Perpendicular architecture.
- Flèche.
- Form follows function.
- Gothic revival style.
- Hammerbeam roof.
- Hood mould.
- Lierne.
- Nineteenth century architecture.
- Ogive.
- Rose window.
- Types of building.
- Vault.
- Wimpole Gothic Tower conservation.
Featured articles and news
The benefits of writing articles for your organisation
How to create a profile for your organisation and publish for free.
No Falls Week. The importance of safe working at height
What to expect and what is on offer to avoid accidents.
Scottish Government action to reach net-zero targets
Retrofit expert group highlight critical actions needed.
A forward thinking, inclusive global community of members.
From engineered product life-spans, to their extension.
Circular economy in the built environment
A brief description from 2021. Where are we now?
Mental Health Awareness Week with ABS
Architects Benevolent Society programme of activity.
CLC publishes domestic retrofit competency framework
Roadmap of Skills for net zero.
May 13-19: Moving more for our mental health.
Understanding is key to conservation.
Open industry engagement survey seeks responses
Institutions and the importance of engagement.
National Retrofit Hub unveils new guide
Digital Building Logbooks and Retrofit: An Introduction.
Enhancing construction site reporting efficiency
Through digitisation and the digital revolution.
Noise in the built environment
BSRIA guide TG 20/2021.
17,000 people suffer conditions as a result of exposure to excessive noise at work.
Turning down the noise: Auditory health
A pervasive risk with far-reaching consequences.
Getting the most out of heat pumps and heating
How heat pumps work and how they work best.
Electrotechnical excellence, now open for entries.