Arts and craft movement
The Arts and Craft Movement developed in Britain in the 19th Century and spread across America and Europe before it reached Japan where it emerged as the Mingei (Folk Movement). It led to the reformation of art at all levels across a wide social spectrum.
Its basis lies in simple forms, truth to materials and the consideration of nature as a source for patterns. The main characteristics of the Arts and Craft Movement are:
- Truth to materials: A focus on the natural qualities of the materials to make the objects.
- Simple forms: Design often focused on the actual construction of the object.
- Natural motifs: Patterns were often inspired by nature.
- The vernacular: Domestic traditions and the vernacular provided inspiration.
During the 1860s and 1870s, architects, designers and artists started to consider innovative approaches to design and the arts which led to the formation of the Arts and Crafts Movement.
Two key figures in the movement were the theorist and critic John Ruskin and the designer, writer and activist William Morris. Ruskin focused on the relationship between art, labour and society and Morris put Ruskin’s theories into practice, placing a high value on work, the pleasure derived from high-quality craftsmanship and the natural beauty of materials.
By the 1880s Morris was internationally-renowned as a commercially-successful designer and manufacturer. His ideas were taken on board by new guilds and societies, who for the first time presented a unified approach among painters, architects, sculptors and designers. This in turn took the Arts and Crafts ideals to the public.
The term 'Arts & Crafts' was first used at the suggestion of the bookbinder T J Cobden-Sanderson for its offshoot, the Arts & Crafts Exhibition Society which was set up in 1888.
Early designs were often highly decorated but quite plain, however most work showed a concern for, and understanding of craftsmanship with stunning bright colours, rich patterns and textures. Central to the Arts and Crafts Movement were ideas about art, work and society which meant that the arts of the book, including calligraphy, typography, and book binding were highly valued.
A key role in the development of the movement was played by art schools and technical colleges in London, Glasgow, and Birmingham.
For the first time women took a leading role in a major art movement as designers, makers and consumers. Both the home and women's role brought a fresh approach to architecture and interior decoration.
Arts and Craft style homes are typically made up of elements with traditional proportions. The pitched roof span is no greater than 4.5m to 6m with pitches of 47.5-55°. Eaves are low, often reaching down to first floor level in many parts, often with a catslide roof on at least one elevation.
Typically an important part of a building is the large chimney which is often tall and wide with ornately decorated stacks with traditional brickwork or stonework. The windows often consist of multiple, small panes set in hung casements which are usually timber or metal. The windows are usually centrally located in each bay. Doors are typically plank style, either painted or softwood with black hand forged ironmongery.
The Red House in Bexleyheath was designed between 1858-1860 by Philip Webb. Webb was inspired by British vernacular architecture, in particular its well-proportioned solid forms, steep roof, pointed window arches, brick fireplaces and wooden fittings. The Red House is characteristic of the early Arts and Crafts style.
[edit] Related articles on Designing Buildings
- 100 years of the Bauhaus.
- Aesthetic movement.
- Architectural styles.
- Arts and Crafts Architecture: 'Beauty's Awakening'.
- Art Deco.
- Art Moderne.
- Art Nouveau.
- Bauhaus.
- Beaux Arts style.
- Classical orders in architecture.
- Classical Revival style.
- Design methodology.
- Edwardian architecture.
- Edwin Lutyens.
- English architectural stylistic periods.
- Italian Renaissance revival style.
- Modernist architecture.
- Mosaic.
- Nineteenth century architecture.
- Polite architecture.
- Roughcast and pebbledash.
- Skyscraper.
- Spanish Colonial revival style.
- The Edwardians and Their Houses: the new life of old England.
- Trompe l’oeil.
- Truth to materials.
- Tudor revival style.
- Vernacular architecture.
[edit] External references
Featured articles and news
CIOB launches global mental health survey
To address the silent mental health crisis in construction.
New categories in sustainability, health and safety, and emerging talent.
Key takeaways from the BSRIA Briefing 2024
Not just waiting for Net Zero, but driving it.
The ISO answer to what is a digital twin
Talking about digital twins in a more consistent manner.
Top tips and risks to look out for.
New Code of Practice for fire and escape door hardware
Published by GAI and DHF.
Retrofit of Buildings, a CIOB Technical Publication
Pertinent technical issues, retrofit measures and the roles involved.
New alliance will tackle skills shortage in greater Manchester
The pioneering Electrotechnical Training and Careers Alliance.
Drone data at the edge: three steps to better AI insights
Offering greater accuracy and quicker access to insights.
From fit-out to higher-risk buildings.
Heritage conservation in Calgary
The triple bottom line.
College of West Anglia apprentice wins SkillELECTRIC gold.
Scottish government launch delivery plan
To strengthen planning and tackle the housing emergency.
How people react in ways which tend to restore their comfort.
Comfort is a crucial missing piece of the puzzle.
ECA launches Recharging Electrical Skills Charter in Wales
Best solutions for the industry and electrical skills in Wales.
New homebuilding skills hub launch and industry response
Working with CITB and NHBC to launch fast track training.
Comments
[edit] To make a comment about this article, or to suggest changes, click 'Add a comment' above. Separate your comments from any existing comments by inserting a horizontal line.